It’s good to feel free.

This past December I took some time off and went to Colorado for ten days. I went to visit a few friends and take some time to myself to do some exploring, hiking, and beer drinking. I traveled fairly light, I managed to take everything I needed in two carry-on sized bags. Gear was especially light, I only had my cell phone and my Voigtlander with a few rolls of Tri-X with me, it was all I wanted to carry. No DSLRs, just the basics. I ended up taking a lot of photos of breweries, nature, and spaces I thought were interesting. The photos below tell a brief story of the trip. As always these are straight scans, the most I did with them was a bit of exposure corrections and cleaning up of scratches, nothing more. All photos made with my Voigtlander Bessa R3A, Nokton 40mm f/1.4 SC, Tri-X shot at box speed and developed in Diafine.

Colorado Film Scans_20150311_001

Great Divide Brewing

 

Colorado Film Scans_20150311_002

Great Divide Brewing

 

 

I made some new friends at Great Divide, The two in the foreground were a married couple from Texas on a beer tour of Colorado. We got to talking and decided to go to some of our favorite places as a group.

Colorado Film Scans_20150311_003

Epic Brewing

While not a native Colorado brewery, Epic Brewing was our next stop. It was only 8 blocks away and it seemed like the logical thing to do. After a few other watering holes I decided to take a day to myself and go to the mountains. I spent the following day in Frisco mostly hiking around and talking to a glass blower.

The mountains at Frisco, CO

The mountains at Frisco, CO

The mountains at Frisco, CO

The mountains at Frisco, CO

Glass blower. Frisco, CO

Glass blower. Frisco, CO

Glass blowing station, Frisco, CO

Glass blowing station, Frisco, CO

You could participate if you wanted to, he was very generous with letting people heat and mold the final product.

A visitor partaking in the glass blowing process. Frisco, CO

A visitor partaking in the glass blowing process. Frisco, CO

A few more shots of watering holes and breweries. I especially love getting photos of the workers in these places, seeing how things are made is one of my favorite things to be able to witness.

Breckenridge taproom. Denver, CO

Breckenridge taproom. Denver, CO

Boulder Beer, CO

Boulder Beer, CO

Boulder Beer, CO

Boulder Beer, CO

The fermenters at Great Divide. Denver CO

The fermenters at Great Divide. Denver CO

High Five in the brewery. Denver, CO

High Five in the brewery. Denver, CO

I did my part and visited some art museums, which I thoroughly enjoyed. Spending time to dissect paintings and photographs is important.

Colorado Film Scans_20150311_017

Clyfford Still Museum. Denver, CO

Denver Museum of Modern Art. Denver, CO

Denver Museum of Modern Art. Denver, CO

 

I couchsurfed for the second half of my trip. I stayed in a house in Five Points with some very musical and creative individuals. I enjoyed staying there and talking about music and learning from others. This was their living room.

Five Points. Denver, CO

Five Points. Denver, CO

Five Points is one of the most culturally interesting places in Denver, it’s a historical representation of all of the change that the city has seen throughout its existence. I could try to write an article about it but there are so many already written, and I’m not much of a writer anyway.

Butcher Block Cafe. Denver, CO

Butcher Block Cafe. Denver, CO

Butcher Block Cafe. Denver, CO

Butcher Block Cafe. Denver, CO

The Butcher Block Cafe was incredible. A diner after my own heart.

 

All in all, I was able to mentally and physically stretch, relax, and enjoy myself while I was in Colorado. Sometimes having all of that space to yourself is what you need the most.

Twilight. Longmont, CO

Twilight. Longmont, CO

 

 

A couple of frames I took while biking around Minneapolis one Friday night recently. I didn’t set any goals for myself other than to take some photos. Biking around the cities can be liberating, not worrying about having to park, much less pay for it, gives you a new sense of freedom of movement. All of a sudden I can move from Northeast to Downtown to Uptown without paying cash. The drawback? None, unless you hate the feeling of wind in your face when you’re going across the Hennepin Avenue bridge. The freedom of biking paired with the unpredictability of what you will find in the cities whilst carrying a camera is exciting, and makes one feel alive.

Going down.

Going down.

Even if it all seems a bit blurry by the end of the night.

Unfocused

Unfocused

It’s said that quality matters over quantity, and my personal portfolio has certainly gone the way of much less quantity as of late. I’ve been doing the vast majority of my work for Face Forward recently (see their photo section for that) and haven’t had much in the way of personal prints or photography. I’m trying to change that, though. I’d like to spend more of my free time out and about with my camera when life permits, so I think I’ll try to do that more. I went to Vancouver last summer and got some pretty good photos out of the trip, though most of the photos that I kept were those taken in their vast forestry. No street photography. That felt strange.

Fog I

While I have noticed that the things that capture my interest enough for me to take a photo have changed throughout the years, I feel as though the original intent of photography for me has remained constant: photography is my tool for relaxation and my preferred method of expression of emotions, whether they be happy, sad, inquisitive, or anything else, I express these emotions best through imagery. Subject matter can vary but all the same messages are there, for me at least. I think that because of this constant that I’m satisfied with taking my time with my personal work. I get much more satisfaction and feel more peaceful from putting out something that I care about with the “personal work” label on it than mass producing photo after photo and sharing it with the whole world over and over again. I could speak volumes about each of my personal photographs, each one comes with a story of its own, something that separates it from the other photographs that I take.

Fog II

Stories behind photographs are important, the photo is only half the vision, the other half is what moved the photographer to capture it. I’m not really sure what my goal with this post is, I’m mostly just thinking out loud here, but I had these thoughts on my mind as of late when I looked at how few prints I had created vs the sheer amount of images I’ve captured at shows, festivals, etc. These photos here are the only ones that I have developed in a long time, but I’m attached to them the most. The forest in Vancouver was a place where I could think clearly without hearing the white noise of the city. I spent most of my week there, exploring and taking time to myself.

Fog III

Vancouver Trip_20121221_017

I hope this made sense to at least one person.

It’s been a while since I’ve written anything here. Given my track record it’s clear that I can’t keep a regular blog, I don’t know if I should be attributing this to my laziness to write or to my otherwise busy schedule. Either way, I’ve decided to finally put up some photos I took when I was in Barcelona and surrounding parts of Spain. Before I get into that, though, I’d like to say thank you to the nice folks over at Photojojo for featuring my post on creating solargraphs, I’m glad people are interested in doing them, and that something I wrote was helpful. Usually I’m on the receiving end of the how-to’s so this is quite flattering.

Now onto the good stuff. All photos were taken with a Voigtlander Bessa R3A and a Nokton 40mm f/1.4 lens. Various films were used, mostly Tri-X and Neopan 400 if memory serves. All films were shot at a variety of speeds ranging from ISO 640 to ISO 1600 and developed in Diafine.

Civil Worker's Protest - Barcelona, Spain

Near Plaza Del Sol - Madrid, Spain.

A Wine Bar - Madrid, Spain

Jamon Handlers - Madrid, Spain

Late Night Window Shopping - Collioure, France

A vantage point from behind a shopping cart - Collioure, France

By Candlelight I - Barcelona, Spain

By Candlelight II - Barcelona, Spain

That’s about everything I’ve managed to scan so far, when I have access to a film scanner again I’ve got a lot of catching up to do. This is only a snippet of what I saw and experienced while in Europe, but these are some of my favorite moments from the trip.

Hope everyone had a happy holidays and will have a terrific New Year.

Walking back to work from lunchIt’s amazing what you can find on rolls of shot film that you’ve left lying around and forgotten about, if you do that sort of thing from time to time. My developer recently starting changing color from a nice crystal clear to an ugly, deep yellow. I needed to test out my developer before using it any more, especially since I had four rolls I wanted to go through in one day. I rummaged through to see if I had any old film lying around, I found an old roll of Ilford Delta 400 that I shot about a year ago and never got around to developing, I completely forgot what was on the roll. Since I had no clue what was on it I thought it would work out nicely for a test roll. I process the roll and find this gem on it, a one year old frame processed with year and a half old chemistry, sometimes I love my luck :)

This is the second of two posts that will attempt to summarize my work from the past year that I can show, aka my freelance work. This set is all photojournalism from a show called Face Forward: Humanity Through Art. I became the staff photographer for this organization, which is working to raise $11,000 to build a school in India. More info can be found at the following links:

Anyway, on to the photos! This first set is from the model call for Face Forward, the process in which the designers decided which people would be modeling their clothes, etc.

Waiting for their turn, the potential models stood outside the main room and made chit chat, or watched the people ahead of them give it what they’ve got on the mock runway.

The potential models giving their information to the designers so they can find out if they made the cut.

The “model” look, seeing this was pretty common during the model call.

Posing, posing, and more posing. You could tell that some people had modeled before when they had their turn.

More behind the scenes with the potentials.

The final photo from the model call that I will show here, next up are photos from the show itself. The show happened at First Avenue, the perfect venue for such an event. The event featured musicians, the models from above, spoken word artists, and dance companies.

Several of the models were used a few times for different outfits, and a few times the designer walked out with the models, as in the last photo (rightmost in the photo). Once the fashion show was over, it was on to spoken word, music and dance.

That about sums it up for the second update, hopefully I didn’t bombard too many people with a ton of photos, and again, this is old news to some, but I thought I’d update this end of the numerous amount of pages that I maintain, so those of you who only see this end, hope you enjoyed it!

It’s a been a long time since I’ve written here, and I apologize for that. College and work tend to take over my life when they’re in full swing leaving no time for me to write about recent shoots. As a result, I’ll try to sum up a year’s worth of work, hopefully it won’t end up being too long. Most of my work in the past year has dealt with studio shoots, on location shooting and photojournalism, so it’s all been entirely digital due to the work being for somebody else more than for myself. I’ll start with the studio work. Over the winter I did several studio shoots for people with various needs such as portfolios and applications, I used the same studio I had for the Lights, Camera, Interaction! post a while back. Some of these photos might be old news to some, especially those who follow my facebook, but nevertheless a few stragglers haven’t checked on everything I have there ;) Due to me having a lot of photos to add, this is gonna be the first part of a two part series, so the posts aren’t so long.

Studio Shoot 1

This was before we actually drove over to the studio, we did some on location shooting. This is my favorite photo from the on location set.

The photos were for an application to NYU for dance, so I thought we should incorporate some dance elements into the photos, such as this one.

Fun with mirrors, surprisingly a lot more fun than I had thought was possible in a studio.

More dance theme like photos, I couldn’t get over the staring at the shoe photos. I think I have more of these than any other type of photo from this shoot.

Sitting on a stool, pondering life I think. Lots of pondering goes on during studio shoots, with the looking away and all. Oh, and if you’re wondering, she ended up getting into NYU in the end, glad that I contributed to that outcome :)

This shoot was also for a portfolio, a modeling portfolio if I remember right. I had a lot of fun with this one, she was a great person to work with, and since the shoot we’ve become better friends.

I wonder what she’s looking at over there, seems mildly amusing…hmm

I had a fun light setup for this series of shots, black umbrella with a 300w continuous light camera left and slightly behind me. I liked the results for that setup a lot, some of my favorite shots came from this series.

Same light setup as the shot before it, the umbrella was working really well for these.

This was for an album/acting/modeling portfolio, wish I had a ringflash for this one, but alas my equipment is limited. Hopefully soon I’ll be incorporating a ringflash into similar shoots.

Rockin’ the fedora, probably my favorite shot from the entire shoot.

More fedora action, still love it.

Playing around with clothing ideas, a lot of that happened during this shoot.

More shooting for an application, another dance application I believe. Again, I tried to get some “safe” shots and then went for some more creative ones.

I love the shadows here, they make a nice mysterious look.

A conventional “safe” photo for application use, you never know what’s acceptable and what’s not when it comes to applications to artistic institutions. Finding the borders between being the same and standing out, or just being too outlandish takes some practice.

Similar to the shot above, but with a black backdrop.

That’s it for this portion of updates, the next section will feature all photojournalism, get ready!

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